“As soon as you finish a film, people want you to talk about it. And it’s um – the film is the talking. — David Lynch /// Visual mirrors.
Install Theme

Eternal sunshine of the spotless mind (Michel Gondry, 2004)

Upstream Color (Shane Carruth, 2013)

La lune dans le caniveau (Jean-Jacques Beineix, 1983)

Pulp Fiction (Quentin Tarantino, 1994)

Persona (Ingmar Bergman, 1966)
Mulholland Drive (David Lynch, 2001)

Persona (Ingmar Bergman, 1966)

Mulholland Drive (David Lynch, 2001)

Domicilio Conyugal (François Truffaut, 1970)

Secretos de un matrimonio (Ingmar Bergman, 1973)

Mauvais sang (Leos Carax,1986)

Pola X (Leos Carax, 1999)

Bonjour Tristesse (Otto Preminger, 1958)

La vie d’Adèle (Abdellatif Kechiche, 2013)

Mauvais sang (Leos Carax, 1986)

Fa yeung nin wa (花樣年華) / In the Mood for Love (Wong Kar-wai, 2000)

Lost in Translation (Sofia Coppola, 2003)

Fish Tank (Andrea Arnold, 2009)

Shame (Steve McQueen, 2011)

Earrings (Alex Withrow, 2012)

Suspiria (Dario Argento, 1976)

Holy Motors (Leos Carax, 2012)

Gummo (Harmony Korine, 1997)

Somersault (Cate Shortland, 2004)

Fallen Angels (Wong Kar-wai, 1995)

The Place Beyond the Pines (Derek Cianfrance, 2013)

Sweetie (Jane Campion, 1989)

Twin Peaks: Fire Walk with Me (David Lynch, 1992)

Lost Highway (David Lynch, 1997)

Lost River (Ryan Gosling, 2014)

So, you are on your knees? Good. Now die to yourself. To your idea of yourself. Everything you think you are, you are not.Top of the Lake (Jane Campion, 2013) 

A woman on her knees is a recurring image on Jane Campion’s filmography: 


The Piano (1993)



The Portrait of a Lady (1996)



In the Cut (2003)



Bright Star (2009)



Top of the Lake (2013)

Shame (Steve McQueen, 2011)

Jeune et Jolie (François Ozon, 2013)